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Aarde

Electro / Acoustic / Experimental

France

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About

New album " Desperate Islands "
produced by Dirty Demos...

Hebergement gratuit d image et photo


Reviews by frans de waard for vital weekly in the netherlands.

.. Aarde, being the duo of Lois Laplace and Guillaume Gargaud, already surprised us in a pleasant way with 'A Whole Day' (see Vital Weekly 601) and here return with 'Desperate Islands', a shorter release then before with six pieces continuing their interest in somewhat more crude variations on glitch and micro ambient. There is guitar doodling, sturdy sound processing, a bit more louder things then before and sometimes totally in line with Line, such as 'Looking At The Coast', with its icy, glacier feel and sustained bowed sounds. Like before I think this is a really nice job, well produced and nothing much new. But as said before, sometimes that is not necessary.


Bio ///////

Aarde was formed in 2004 when Guillaume Gargaud met Loïs Laplace and joined forces for some improvised sessions, searching for a deeper exploration in electronic music. During this time collaborating, Guillaume has integrated prepared guitar in his computer music and Loïs has started using Kyma system.

Guillaume Gargaud is a French musician known for guitar work and his love of improvisation. He studied the art of improvisation at IMA, France from 1999-2001. After this Guillaume joined Zwann Ei collective who specialise in sound and image creations and how they relate to the body. In 2007 Guillaume also started participating in the future ethnic comparative research Game Alone Synthesis.

Loïs Laplace was born in 1973, and his first musical outing was at the age of seven, learning classical piano for a few years. Later he was interested in playing popular, folk music and eventually jazz, after playing piano in some band. Things really started to change for Loïs when he discovered the magical sounds of free jazz at the age of twenty. After high school, Loïs worked on merchant ships for several years, going to sea for months, which meant playing less music because he couldn't bring a valuable keyboard in his luggage. But after a while Loïs discovered digital music, and with the purchase of his first computer, he found that it was possible to play with sound with a single laptop, and that was a very convenient feature when he had to navigate at sea! His musical interest then moved to 'musique concrète', and 'improvised electronic'. After an internet release, in 2006 Loïs Laplace released his debut album 'Inland' on Dirty Demos, and contributed to both the 'Obsevation Point' compilations. Loïs' next solo release for the label is 'To Semiturn', an abstract film containing footage recorded at sea along with some of his own music.

"a whole day", first album now release at Dirty Demos :
http://www.normanrecords.com/records/97140
http://www.a-musik.com/cart/catalog.php?label=2827&am_id=28cbd68e3c5054e55eda71405349c821
http://www.myspace.com/dirtydemos
( DirtyCDR 025 )

Reviewed by Tobias Fischer.

http://www.tokafi.com/newsitems/cd-feature-aarde-whole-day-kasper-van-hoek-den-haag-groningen-froombosch-dead-wood-red-needled-sea-split-series-3/

Reviewed by FRANS DE WAARD
http://www.earlabs.org/release/shortee.asp?reviewID=775

Symbolic sound corporation.
http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome

Website:
http://perso.wanadoo.fr/laplace
http://guillaume-gargaud.fr/

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Comments(9)

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static itch, Oct 08, 2008:

Very cool sounds! Keep em coming. Thanks for the add. Hope you are in excellent spirits. Peace!

radiospacepop, May 17, 2008:

fascinating ! ,,,,,,,,, many greets from romania ,,,,,,, nonelu stefan

jacqueline kroft , May 01, 2008:

Photo Sharing and Video Hosting at Photobucket

your friend
Jacqueline

biokey, Apr 15, 2008:

Sonom, Apr 12, 2008:

Infinity Organic....

gjöll | product 8, Mar 06, 2008:

alt

ant-zen, Feb 29, 2008:

Transparence, Jan 24, 2008:

thank u
nice music here

always good to here good stuff

automatofonic, Dec 01, 2007:

thanks for addin us

lovely sound design and production

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  • Loïs Laplace // Guillaume Gargaud

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