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Counting Crows

Alternative / Rock

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COUNTING CROWS WITH THE WHO IN AUSTRALIA!

March 24, 2009
BRISBANE Entertainment Centre

March 26. 2009
ADELAIDE Entertainment Centre

March 29. 2009
Melbourne 2009 Forumula(TM) 1 Ing Australian Grand Prix
(On sale now - The Who & Dallas Crane only)

March 31, 2009
SYDNEY Acer Arena

April 4, 2009
PERTH Members Equity Stadium

WELLMONT THEATRE SHOW POSTPONED
Counting Crows lead singer Adam Duritz is fighting the flu and unfortunately will not be able to perform tonight at The Wellmont Theatre. Tonight's (October 27) opening night show has been rescheduled for tomorrow night, Tuesday, October 28. Counting Crows will perform Wednesday, October 29 and Thursday, October 30 as planned. Tickets for tonight's show will be honored tomorrow (Tuesday) night, and tickets remain available for the Wednesday and Thursday performances. We apologize for the inconvenience and look forward to seeing you at The Wellmont Theatre tomorrow night.

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MEET THE COUNTING CROWS BACKSTAGE...BRING YOUR FRIENDS!
100% of proceeds benefit GreyBird Foundation

Hey, it's Adam from Counting Crows and I've got BACKSTAGE PASSES just for you to every show on this tour. The GreyBird Foundation is all about finding people who care enough to get involved. So if you're one of those people, Counting Crows wants you to come backstage so we can get a chance to meet you. If you want to come backstage to meet us, then this is the perfect auction for you! Aren't you just a little curious about what's going on back there?

If you are, place your bid to get a chance to hang out backstage with us. The winner of this auction gets 2 backstage passes to the show! You get to come backstage and meet the band! You can have your picture taken! You can get our autographs (me and Charley have cool signatures)!

In addition to the 2 passes, for every incremental bid of $500, you get 2 more! So if you bid $1000, that means you AND 3 friends are heading back, and so on and so on. The higher the winning bid, the more people you can bring with you.

Please note - this auction is NOT for tickets to the show. This is only for backstage passes only. Winner and their guest(s) are solely responsible for purchasing their own tickets to the show. However, if you REALLY want the meet & Greet and you don't have tkts, we'll just give you seats on the lawns. As far as I'm concerned, if you care enough to win the auction, you can have the lawn seats on me.

To place your bid on the show in your city, please visit:
http://shop.ebay.com/merchant/greybirdfoundation_W0QQ_nkwZQQ_armrsZ1QQ_fromZQQ_mdoZ

For more info on the tour, please visit our
GreyBird About Me page

For more information on how to support the GreyBird foundation visit our website:
http://www.greybirdfoundation.org

COUNTING CROWS ON TOUR IN IRELAND AND THE NETHERLANDS WITH THE HOLD STEADY AND MELEE!12/16 Brabanthallen - Den Bosch, Holland (w/ The Hold Steady and Melee)
12/20 The O2 - Dublin, Ireland (w/ The Hold Steady & Melee)
12/21 The Odyssey Arena - Belfast, Ireland (w/ The Hold Steady & Melee)

Fan Club [pre-sale] is Thursday August 14 5pm (local time) till Friday August 15 5pm (local time)
Buy tickets HERE
Regular tickets sales start Saturday August 16 at 10am
In person: From 100 Ticketmaster Outlets Nationwide
24hr hotlines:
Republic Of Ireland - 0818 719 300
Northern Ireland - 0870 243 4455
Buy online: www.ticketmaster.ie

COUNTING CROWS INVITE FANS TO DESIGN THEIR SUMMER TOUR POSTER

To celebrate the launch of Counting Crows summer tour with Maroon 5, the band is calling all Counting Crows fans and artists to help create their summer tour poster!

One lucky winner will have their poster design printed and sold on tour.

Entrants will create and submit an original tour poster design that captures the sound and energy of Counting Crows. You must submit your entry by July 1st, 2008.

There are just three simple rules:

1) The poster must be 18"x24" portrait or landscape.

2) Your artwork must be at least 300 DPI and be transmitted through the internet (Files must be jpeg or gif and must be less than 10MB in size)

3) Any graphic elements you use cannot be copyrighted.

Please send your entries to winner@countingcrows.com along with your name and, of course, your email address.

Happy designing!

SATURDAY NIGHTS & SUNDAY MORNINGS
Counting Crows

Counting Crows' Saturday Nights & Sunday Mornings is just your average brilliant, unsparing rock & roll song cycle about the high life and the low life, about sin and whatever the hell follows. This is a dark ride -- Saturday Nights & Sunday Mornings is less Animal House and more Requiem For A Dream. So if Saturday Nights & Sunday Mornings is the last album that Counting Crows -- or for that matter anybody else -- ever releases, at least the band will be going out with one hell of a big bang. This is an album with two distinct yet deeply related halves that will not only remind longtime admirers of what makes Counting Crows a great band in the first place - it reminded the band as well.

"In my mind, we're an album band -- that's what we do," Adam Duritz says of the band that also includes David Bryson, Charles Gillingham, Dan Vickery, David Immergluck and Jim Bogios. "We make good albums. I don't know that we're a great "singles" band. We've had some good singles, but it's really accidental when it happens. Now with the whole world going byte-sized, we felt, and still feel, like it's more important than ever NOT to cooperate with all of that. So if the album IS disappearing as an art form, we wanted to make one last great album. We had a chance to make a point now and make a real album, an album that really means something to us, and this is as real an album as any we've made."

Saturday Nights-- the album's angry, electric, dissolute opening salvo -- was produced by Gil Norton (The Pixies, Foo Fighters), a longtime friend and associate of the band who previously produced the band's second album Recovering The Satellites. "Ever since Satellites, I've always turned to Gil for advice, and he was the only guy I ever wanted to produce Saturday Nights," says Duritz. The more acoustic and folk-influenced Sunday Mornings was produced by Brian Deck whose past credits include Modest Mouse and Iron & Wine. According to Duritz: "This is not unplugged Counting Crows. The great folk based albums of the Sixties and late Seventies like Carole King's Tapestry or Simon & Garfunkel's Bridge Over Troubled Water were not unplugged albums -- they were really innovatively recorded and creatively arranged albums with a lot of electric instruments. I wanted to find a guy who could make an eclectic modern version of an album like that, and Brian really came through."

The combination of these two sides of the same coin adds up to make a deeply personal musical statement. For Duritz, Saturday Nights & Sunday Mornings is "about dissolution and disintegration. It's about when Saturday night happens and you lose all sense of yourself. You dissolve into drink and medications and moral lack of self, and finally into a loss of faith and then madness. And it's about when you wake up Sunday morning and look back at the wreck you've made of your life and you think, "How can I possibly fix this? How can I ever climb out of this hole" And then you start to try and climb." But Sunday Mornings isn't about getting back to the top; it's about struggling to even learn how to climb. Saturday Nights & Sunday Mornings isn't an album about sin and redemption; it's more the binge and the hangover.

In a sense, that same journey was mirrored by the thrilling but sometimes maddening process of making Saturday Nights & Sunday Mornings. "When we started to make this record, I began right away beating on the guys hard, and then they started beating on themselves," Duritz confesses. "I had long talks with the band about all their gifts AND their limitations, because I thought this was our last record. I thought `I'm doing it and then I'm getting out.' And the first songs we had, like `1492' and `Los Angeles', were just statements of decay and disintegration because the album we thought we were making then was just Saturday Nights. I didn't even really conceive of Sunday Mornings 'til much later. At the time, I just knew I was tired of being in the band and I felt like that was dragging us into mediocrity. But then we spent twenty days with Gil in New York City in June of 2006 and we came out with music that felt real and raw. We went back on the tour that summer and we felt revitalized.

At the beginning of 2007, we went back in the studio with Gil for another 3 or four weeks and finished Saturday Nights. We beat on each other over and over until we got better. I just said, "We can be great or we can just not be a band, and I know we can be great, so let's do it." We took a few weeks off and then went out to Berkeley with Brian and recorded Sunday Mornings in about 25 days. And that might have been even harder than Saturday Nights because we had NO idea even how to make that kind of music. We sort of had to teach ourselves on the fly how to compose and play this whole...I don't know...reinvention of our acoustic music, but it was worth it."

For all that, Duritz says the process has only increased his tremendous respect for his bandmates. "People don't give the band enough credit for how amazing they are. How many times have you seen some young singer-songwriter guy playing in a club by himself and he's amazing? And then the album comes out and it's absolutely bland and flat. That's because his band didn't get him. My band has always gotten me right from the very beginning. The songs I write only come across because the band is so good at listening to me and to each other that they're almost telepathically dynamic. They're sensitive to every nuance of my singing, which means I can go anywhere I want to go. People think music is all about playing but it's really ALL about listening. Those guys...they're just great musicians."

In many ways, Saturday Nights & Sunday Mornings represents the latest and arguably greatest chapter in a story that began with Counting Crows' highly auspicious 1993 debut August And Everything After and continued with the group's excellent subsequent studio albums 1996's Recovering the Satellites, 1999's This Desert Life and 2002's Hard Candy.

I first met Adam Duritz in a Paris hotel lobby only moments before Adam received a call from America that Kurt Cobain had killed himself. I was struck then as now with how much Adam took on his shoulders and his deeply ambivalent but complex relationship with the notoriety music would bring him. Less than the desire to be a star, Duritz has always had a heightened desire to be understood.

"Even before I had one moment of experience with fame, I ended every chorus of `Mr. Jones' with `when everybody loves me, I'll never be lonely.' And you're supposed to get that's not true, okay? The guy is making a mistake if he thinks it's going to work that way. And I knew THAT before I'd ever even put a record out. I wanted to be a rock star, but the assumption that it will fix all the problems you have is just silly. And that misconception, ironically, has lasted for fifteen years now. I'm still catching shit from people who think all my problems should be...well...solved - perfectly intelligent people who still don't get that being famous or getting a girl doesn't actually solve all your problems. Often the most complex response I get is, 'Well, you asked for it.' I guess I did but...haha...well... I guess I did. "

Saturday Nights & Sunday Mornings is a remarkable album about the lives that Duritz has led -- at least in his head -- as brought to life by the only band that could make it all sound this real and this raw.

- David Wild

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www.myspace.com/countingcrows

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