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    <title>craque</title>
    <link>http://virb.com/craque</link>
    <description><![CDATA[Composer, DJ and producer exploring the realms of sculpturistic electronica.]]></description>
    <generator>Virb 2.0 (@craque)</generator>
    <language>en</language>
    <item>
      <title>Broken</title>
      <link>http://virb.com/craque/audio/102611</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 23:10:22 -0700</pubDate>
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    <item>
      <title>Strawberry Jam</title>
      <link>http://virb.com/craque/audio/102600</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:55:36 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102600</guid>
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    <item>
      <title>Kamaco</title>
      <link>http://virb.com/craque/audio/102599</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:55:33 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102599</guid>
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    <item>
      <title>Poleye, open</title>
      <link>http://virb.com/craque/audio/102582</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:41:17 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102582</guid>
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    <item>
      <title>Moonrock</title>
      <link>http://virb.com/craque/audio/102581</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:41:14 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102581</guid>
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      <title>Ricycle</title>
      <link>http://virb.com/craque/audio/102580</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:31:50 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102580</guid>
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      <title>Perfect Blue</title>
      <link>http://virb.com/craque/audio/102578</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:30:05 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102578</guid>
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    <item>
      <title>Arsim</title>
      <link>http://virb.com/craque/audio/102577</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:26:38 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102577</guid>
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    <item>
      <title>Bell Jar</title>
      <link>http://virb.com/craque/audio/102576</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:24:53 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102576</guid>
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    <item>
      <title>Orange Malade</title>
      <link>http://virb.com/craque/audio/102573</link>
      <description><![CDATA[]]></description>
      <pubDate>Mon, 11 Jun 2007 22:05:22 -0700</pubDate>
      <guid>http://virb.com/craque/audio/102573</guid>
    </item>
    <item>
      <title>putain-trailer.mov</title>
      <link>http://virb.com/craque/videos/1735162</link>
      <description><![CDATA[]]></description>
      <pubDate>Sun, 27 May 2007 19:18:43 -0700</pubDate>
      <guid>http://virb.com/craque/videos/1735162</guid>
    </item>
    <item>
      <title>Porch Music</title>
      <link>http://virb.com/craque/videos/1729862</link>
      <description><![CDATA[<p>found video and sound</p>]]></description>
      <pubDate>Sun, 18 Mar 2007 20:07:34 -0700</pubDate>
      <guid>http://virb.com/craque/videos/1729862</guid>
    </item>
    <item>
      <title>My best 24 hours of music in 2008</title>
      <link>http://virb.com/craque/posts/text/1016395</link>
      <description><![CDATA[<p>I like to make myself feel as if I'm somehow close to the elusive community of electronic music. My problem, however, is that I am way too interested in multiple facets of music releases to pay attention in any style for very long. I seek out what really turns my ear, the gems of sound that are unique statements of purpose or individuality. Since I desire great pieces of listening, I spend time searching for it, which means I listen to a lot of not so great things too, and that goes double for netlabels. Needless to say I associate my music activities in a very close circle, I do very fringe stuff, really of a limited appeal on the grand scheme of things. My listening is only very more or less fringey than that, but I thought, well hell why not, I listen to all this music I may as well review it (however briefly) and share my twisted sense of what's good music to the dozen people who bother to look at my blog (and if you do, i thank you for at least being interested). And yes you guessed it, listening to all 24 albums shown here will take you almost exactly 24 hours. So enjoy!</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/volumeobjects.jpg"><img class="size-thumbnail wp-image-225 alignleft" style="margin: 4px;" title="Volume Objects" src="http://sounding.com/blog/wp-content/uploads/2009/01/volumeobjects-150x150.jpg" alt="alt" width="90" height="90" /></a><strong>Autistici</strong> : <em>Volume Objects</em> : 12K<br />
Subtle explorations of sound relationships and rhythm, blending elements of recognizable instruments and easy going synth gestures with elegantly placed electro-acoustic underpinning. I imagine a conductor with the most supreme control of his sonic elements, swirling around in a glaze.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/favoriteplaces.jpg"><img class="size-thumbnail wp-image-226 alignright" title="Favorite Places" src="http://sounding.com/blog/wp-content/uploads/2009/01/favoriteplaces-150x150.jpg" alt="alt" width="90" height="90" /></a>Various : <em>Favorite Places</em> : <strong>Audiobulb</strong><br />
A wonderful concept! Recordings and compositions from favorite places of the included artists, a very personal record, wide in breadth. Equal parts phonography and arranged constructions, in some cases I feel like I become part of that place. Eerie and magical.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/sool.jpg"><img class="alignleft size-thumbnail wp-image-227" style="margin: 4px;" title="sool" src="http://sounding.com/blog/wp-content/uploads/2009/01/sool-150x150.jpg" alt="alt" width="90" height="90" /></a><strong>Ellen Allien</strong> : <em>Sool</em> : BPitch Control<br />
Count this one as a surprise indeed. I'm used to a heavier hand when it comes to bpitch and this gal, so a well-crafted minimal techno album with some actual musical interest was the last thing I expected. The tunes are understated but driven in a way that especially matches the style, engaging but never harsh.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/middlemarch.png"><img class="alignright size-thumbnail wp-image-228" style="margin: 4px;" title="Middlemarch" src="http://sounding.com/blog/wp-content/uploads/2009/01/middlemarch-150x150.png" alt="alt" width="90" height="90" /></a><strong>He Can Jog</strong> : <em>Middlemarch</em> : Audiobulb<br />
There is a finesse with which HCJ can blend noise and consonance that's infectious and maybe just a little frightening. He shares the same ranks with other electro-acoustic artists here that like a tasty blend of percussion with their textures, and I think he does it quite excellently with a sparing amount of sugar on top.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/lightindustry.jpg"><img class="alignleft size-thumbnail wp-image-229" style="margin: 4px;" title="Light Industry" src="http://sounding.com/blog/wp-content/uploads/2009/01/lightindustry-150x150.jpg" alt="alt" width="72" height="72" /></a><strong>Ilkae</strong> : <em>Light Industry</em> : Eerik Inpuj Sound<br />
Just one person now, Ilkae has released one heck of an outing that mixes pure abstract expressionism with a smattering of melodies and structures that stick in my ear until I'm humming it when I wake up in the morning. LSK and Magnesium are both choice cuts.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/cyclothymia.png"><img class="alignright size-thumbnail wp-image-230" title="Cyclothymia" src="http://sounding.com/blog/wp-content/uploads/2009/01/cyclothymia-150x150.png" alt="alt" width="90" height="90" /></a><strong>Proswell</strong> : <em>Cyclothymia</em> : Eerik Inpuj Sound<br />
Over 65 tracks between 0 and 6 minutes. Inspired miniatures, fully rounded songs, brief brightly colored sketchings; some of the best work he's done to date. A lot of the songs appeared in a podcast over the course of the year, but it is great to have a full collection of them under one cover. Randomized listening highly recommended.</p>
<p><a href="http://sounding.com/blog/wp-content/uploads/2009/01/format.jpg"><img class="alignleft size-medium wp-image-233" style="margin: 4px;" title="format" src="http://sounding.com/blog/wp-content/uploads/2009/01/format-299x300.jpg" alt="alt" width="107" height="108" /></a>Various : <em>Format</em> : <strong>F]]></description>
      <pubDate>Tue, 06 Jan 2009 05:04:17 -0800</pubDate>
      <guid>http://virb.com/craque/posts/text/1016395</guid>
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    <item>
      <title>Coming soon... Craque on Audiobulb</title>
      <link>http://virb.com/craque/posts/text/989104</link>
      <description><![CDATA[<p>So my new full-length album, <em>Supple</em>, will be released by <a href="http://audiobulb.com" target="_blank">Audiobulb</a> in March of 2009. Ain't that awesome! It's a real honor to be joining in the ranks of Autistici, HeCanJog, Ultre, Calika, and so many others.</p>
<p>Months have gone by (actually, no, YEARS) where I have absorbed things, seen new parts of the world, learned new techniques, sought out what's further; and this album evolved alongside me. The entire work has grown from single tracks and loose groupings to continuity and connection through thematic reverberation, it's been fun and full of discovery. There are parts which stand alone but don't feel complete without the context, it's a "large work" in every sense of the word. I even managed to squeeze a few vocal bits in there - yes! my voice! real melody!</p>
<p>Look out for it in March, 2009. Craque: Supple.</p>
]]></description>
      <pubDate>Thu, 18 Dec 2008 09:13:57 -0800</pubDate>
      <guid>http://virb.com/craque/posts/text/989104</guid>
    </item>
    <item>
      <title>DataCent Failed HD Sound Library</title>
      <link>http://virb.com/craque/posts/text/936041</link>
      <description><![CDATA[<p>Check this out... DataCent, a data recovery company, has started a catalog of <a href="http://datacent.com/hard_drive_sounds.php" target="_blank">common sounds heard on failing hard drives</a>, and it covers multiple vendors and situations where things can be heard going terribly wrong. Best of all, they give full permission to use the samples as long as you contact them about it.</p>
]]></description>
      <pubDate>Tue, 18 Nov 2008 08:29:03 -0800</pubDate>
      <guid>http://virb.com/craque/posts/text/936041</guid>
    </item>
    <item>
      <title>Craque: Gamma out now on Test Tube</title>
      <link>http://virb.com/craque/posts/text/913088</link>
      <description><![CDATA[<div class="mceTemp"><a href="http://monocromatica.com/netlabel/releases/tube143.htm"><img class="alignleft" title="Gamma" src="http://craque.net/i/gamma-cover.jpg" alt="Photo by Kamaco" width="166" height="166" /></a></div>
<p>October brought many exciting things for me, including not only a <a href="http://rackable.com" target="_blank">new job</a>, but also a new album that I'm very excited about. The <a href="http://monocromatica.com/netlabel/" target="_blank">Test Tube</a> netlabel is featuring this new release, called <strong>Gamma</strong>.</p>
<p>Six tracks, mostly beat-driven, of downtempo styled expressionism ripe with electro-acoustic improvisation; acousmatica for the brainwaves.</p>
<p>I was also honored to have Matt Mercer (of Microfilm) write up the release on Under the Lens, here's an excerpt from the <a href="http://underthelens.livejournal.com/196576.html" target="_blank">full article</a>:</p>
<blockquote><p>Craque [is] a project of highly abstract instrumental electronic music that often defies easy categorization. He's not afraid of melody or traditional rhythm, even at times can lay down a healthy groove, but most of his music is characterized by heavily processed and manipulated sounds derived from everyday objects. Typically, though, these sounds are far removed from the source and take on a weird, synthetic life of their own.</p></blockquote>
<p>Also from the <a href="http://monocromatica.com/netlabel/releases/tube143.htm" target="_blank">release page</a>:</p>
<blockquote><p>...Craque assaults our senses with an eclectic amalgam of rich rhythmic patterns that derivate from dub, hip hop, techno and other urban languages, but instead of driving us straight to the physical emotion center, they drive us to the 'braindance' center... Excellent and extremely elegant electronic music.</p></blockquote>
]]></description>
      <pubDate>Wed, 05 Nov 2008 22:23:44 -0800</pubDate>
      <guid>http://virb.com/craque/posts/text/913088</guid>
    </item>
    <item>
      <title>Infinite Jest Project @ .microsound</title>
      <link>http://virb.com/craque/posts/text/873678</link>
      <description><![CDATA[<p>The .microsound community recently <a href="http://projects.interdisciplina.org/microsound/project.php?name=InfiniteJest" target="_blank">embarked on a new project to honor the life of writer <strong>David Foster Wallace</strong></a>, known widely for his intelligently sprawling novel <em>Infinite Jest</em>.</p>
<p>Instructions were to take one of the films attributed to the protagonist's father and create a soundtrack. I was attracted to the surrealism in the description of <strong><em>Baby Pictures of Famous Dictators</em></strong> and almost immediately had an image of what the film would be like.</p>
<p>Not having read this novel yet, the source of my inspiration was the description itself:</p>
<blockquote><p>"Baby Pictures Of Famous Dictators" - Year of the Tucks Medicated Pad. Poor Yorick Entertainment Unlimited. Documentary or uncredited cast w/ narrator P.A. Heaven; 16 mm; 45 minutes; black and white; sound. Children and adolescents play a nearly incomprehnsible nuclear strategy game with tennis equipment against a real or holographic (?) backdrop of sabotaged ATHSCME 1900 atmospheric displacement towers exploding and toppling during the New New England Chemical Emergency of Y.W. CELLULOID (UNRELEASED)</p></blockquote>
<p>I took 45 minutes as my guiding point and imagined the film was a tableau, a "moving still life" of sorts. It's a 45 minute long game, a slow motion still life of a disaster reflected in the childsplay of fooling around with physics.</p>
<p>We see a setting that never changes, of innocent children (we assume the same as in the pictures referenced by the title) against a backdrop that is ever changing, sharing an appetite for control. They become the embodiment of the Famous Dictators, playing games, like children, with adult toys of power and war.</p>
<p>A chemical emergency could imply this is related to nuclear power or physics. Are the children playing a game that caused the emergency? Are they blissfully unaware? Or are they working to solve the problem by a series of complex nuclear games? It's unclear if we will ever know.</p>
<p>The soundtrack is not a reflection of the action seen onscreen, but rather the literal voice of each proper name. As their structures compost, weaving as they play the game, new forms are illuminated.</p>
<p>These nine names were used to drive various parameters specific to each person's voice, guiding things like frequency, filters, delay effects and envelope (in each case, the longest, most familiar version of the English proper name was used):</p>
<ul>
<li>Adolf Hitler</li>
<li>Iosif Vissarionovich Stalin</li>
<li>Benito Amilcare Andrea Mussolini</li>
<li>Mao Zedong</li>
<li>Ho Chi Minh</li>
<li>Francisco Franco Bahamonde</li>
<li>Fidel Alejandro Castro Ruz</li>
<li>Saddam Hussein</li>
<li>Tojo Hideki</li>
</ul>
<p>The analysis of the text file containing the names was done with <a href="http://www.perl.org/" target="_blank">perl</a>, which wrote out various <a href="http://chuck.cs.princeton.edu/" target="_blank">ChucK</a> files. The entire piece is one large ChucK session recorded to a file, then normalized.</p>
<p>When I started the piece was a lot less "bright" than it ultimately became, but in a strange way I feel like it took on its own character, and mourns both the tragedy of these dictators and the loss of DFW.</p>
<p>The player on the <a href="http://projects.interdisciplina.org/microsound/project.php?name=InfiniteJest" target="_blank">project page</a> is a great way to listen to the soundtracks everyone has done, and allows for direct downloads of the works.</p>
]]></description>
      <pubDate>Wed, 15 Oct 2008 05:54:07 -0700</pubDate>
      <guid>http://virb.com/craque/posts/text/873678</guid>
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    <item>
      <title>The First Place I Heard Acid Jazz Was A Steven Jesse Bernstein Record</title>
      <link>http://virb.com/craque/posts/text/869345</link>
      <description><![CDATA[<p>It's <a href="http://www.discogs.com/release/376395" target="_blank">true</a>.</p>
]]></description>
      <pubDate>Sun, 12 Oct 2008 18:54:19 -0700</pubDate>
      <guid>http://virb.com/craque/posts/text/869345</guid>
    </item>
    <item>
      <title>Updated Audio Software</title>
      <link>http://virb.com/craque/posts/text/866946</link>
      <description><![CDATA[<p>I've done some updates to the <a href="http://sounding.com/blog/?page_id=89" target="_blank">Audio Software</a> page, including three new categories: "Looping and Performance", "Free Players and Visualizers" and "Programming Languages".</p>
]]></description>
      <pubDate>Sat, 11 Oct 2008 00:51:20 -0700</pubDate>
      <guid>http://virb.com/craque/posts/text/866946</guid>
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    <item>
      <title>Craque: "Trolling for Olives" now free download</title>
      <link>http://virb.com/craque/posts/text/859159</link>
      <description><![CDATA[<p>In 2001 the debut 123 for Craque titled <strong>Trolling for Olives EP</strong> was released on <a href="http://www.discogs.com/label/Metatron+Press" target="_blank">Metatron Press</a>, and now it's <a href="http://www.last.fm/music/Craque/Trolling+for+Olives+EP" target="_blank">available for free on last.fm</a>.</p>
<p>All five tracks are both streamable and downloadable, I figured I'd do them all since the original is <a href="http://www.discogs.com/sell/list?release_id=907346&amp;ev=rp" target="_blank">still available for purchase on vinyl</a> and it's got some dope tracks!</p>
<p>And I don't know how many of my fans actually read this, but here's the first hint that you can expect several new releases coming up in the coming months. At least three different labels will be hosting new Craque albums, so keep yer ears open!</p>
]]></description>
      <pubDate>Wed, 08 Oct 2008 01:57:56 -0700</pubDate>
      <guid>http://virb.com/craque/posts/text/859159</guid>
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