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    <title>Dabney Morris</title>
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    <description><![CDATA[<b><a href="http://www.dabneymorris.com">dabneymorris.com</a> | <a href="http://www.myspace.com/dabneymorris">MySpace</a></b>
<p>
It's the rich, wildly passionate music of the downheartedly hopeful, and the confluence of the romanticists' artistry flowing from all the veins of the bohemian-hearted spirit of truth and love. Melodies dreamed but forgotten upon waking, words of the heart unable to be sung. It's the sweeping cinematic of faith gone a rye and found again; faith in self, others, and things greater. The muse of the human condition: the struggle of arrogance, and the battle of pride, of pretension, the gainings and failures, the crest at the moment before the crash, emotion without regard. The orchestra's last chair string players and percussionists playing with the drunken pianist and guitarist at the foot of the Eiffel for the popular culture's table crumbs. The choler of their heath robinson of a symphony. It's the frustrated attempt to voice the soul. Has it failed? Has it drowned? Only the show can tell. And the show must go on. To make smaller the big big world.

The release of the premier etage album was as if Melpomene, Erato, and Euterpe, were all in intercourse to produce the sierra of the maestro's pullings on the baton. The vex of the try, and the negligence of outcome. The show was to the all-encompassed culture of the mountains, the orchestra pieced 10 on an uncannily warm All Saints Day in 2005 asked the question, and the accord is still responding. Since then, the LP's popularity has been on the mount, and the swarey of starry-eyed players has dwindled to the accordion's lush chordal harmonies, the duet's lone violin and her twice-lower-octave cousin, the ivory keys, and strumming of the acoustic. The timpanist has traded his kettles for a snare, a bass drum and cymbals. Their hearts sink and rise, as they travel far and wide on their wayward cart in search of their original cause.

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      <title>Gateway to the East</title>
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      <pubDate>Fri, 25 Jan 2008 02:03:43 -0800</pubDate>
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      <title>The Soldier's Song</title>
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      <pubDate>Fri, 25 Jan 2008 02:01:01 -0800</pubDate>
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      <title>Aria of St Jude (What the Air Can Bring)</title>
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      <pubDate>Fri, 25 Jan 2008 01:45:59 -0800</pubDate>
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      <title>Water Met the Shore</title>
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      <pubDate>Mon, 12 Mar 2007 14:51:10 -0700</pubDate>
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      <title>Ocean</title>
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      <pubDate>Mon, 12 Mar 2007 14:21:53 -0700</pubDate>
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      <title>IV: Mary Magdalene, Patron of Penitent Sinners</title>
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      <pubDate>Mon, 12 Mar 2007 14:18:24 -0700</pubDate>
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      <title>Epilogue (in G Major)</title>
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      <pubDate>Mon, 12 Mar 2007 14:11:43 -0700</pubDate>
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      <title>Ever Bled</title>
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      <pubDate>Mon, 12 Mar 2007 14:09:15 -0700</pubDate>
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      <title>The Fisherman</title>
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      <pubDate>Mon, 12 Mar 2007 14:04:14 -0700</pubDate>
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      <title>A Rag Doll's Lullaby</title>
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      <pubDate>Mon, 12 Mar 2007 14:00:52 -0700</pubDate>
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      <title>II: Aria of St Thomas Aquinas (Rain on Tin Rooftops)</title>
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      <pubDate>Mon, 12 Mar 2007 13:54:09 -0700</pubDate>
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      <title>Prologue (in E Major)</title>
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      <title>I: Aria of St Jude (What the Air Can Bring)</title>
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      <pubDate>Mon, 12 Mar 2007 13:49:43 -0700</pubDate>
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      <title>Circles Corners</title>
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      <pubDate>Mon, 12 Mar 2007 13:45:17 -0700</pubDate>
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      <title>III: Aria of St Joseph (Standing on Epitaphs)</title>
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      <pubDate>Mon, 12 Mar 2007 13:42:19 -0700</pubDate>
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