Daniel Gannaway

Indie / Folk / Acoustic

Billboard

New Zealand [kiwi] folk/singer/songwriter Daniel Gannaway

Download the albums or Buy the CDs @ CD Baby

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Daniel Gannaway
HEADING FOR COUNTRY

Daniel's first release for 2007, HEADING FOR COUNTRY is the kiwi musician's ninth solo release and part of a growing discography that includes work with band kidameln and two intrepid, imaginative releases with the ELECPHONIC collective. Fresh from immersing himself in these various projects, Daniel has returned to his independent singer/songwriter roots with HEADING FOR COUNTRY.

Following on from BOOTLEGGED AT THE 12 BAR CLUB, Daniel's second release for 2006 after the trenchant OP-ED: Environmental / Social / Political, HEADING FOR COUNTRY delves quietly into the musical geography of 'country' as a genre without - thankfully - falling victim to cliché or revere.

HEADING FOR COUNTRY is more personal than the incisive, politically inspired OP-ED. Daniel traverses the more subtle nuances of love and loss in tracks such as 'Sorry To Say', 'Lazy Sundays' and 'Sadly Don't Think So', while touching on death in 'Tiny Lights'. Conversely, 'Move Along Now' and 'Talk Yourself Up' provide some upbeat counterpoints, particularly via a galloping harmonica throughout the latter track.

Overall, HEADING FOR COUNTRYis more lyrically melancholic and, in some ways, regretful than former albums, but this suits the overt 'country-fication' of the melodies. Though venturing into an often-vapid musical style, Daniel manages to retain his innate sincerity and truth through lyrical inflection, which breaths life into the riffs and bridges.

A previous reviewer comment (associated with an earlier album) noted, "...each song's arrangement maintains a minimalist nature, which shows a discipline and a depth of understanding on Gannaway's part". Perhaps unsurprisingly, this observation remains true in the context of HEADING FOR COUNTRY.

Daniel has reinforced his musical adventurousness with this latest album and, in the process, shown his ability to turn his hand masterfully to a wide array of genres.

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Daniel Gannaway
Since the release of FINE BY ME in 1998, Daniel has been a strident proponent of independent music. As time and albums have passed, Daniel's music has stylistically ebbed and flowed - at one point pared back and raw, at another full-bodied and polished, but at all times potent and inspired. Bound and Suburban in 2001, for example, was a composition of stories and recollections that provided a beautiful counterpoint to the poignant simplicity of Bootlegged at the Temple, recorded the previous year. Daniel's 2004 release - darling one year - was perhaps his most musically confident effort, traversing a broad range of personal experiences and heart-felt issues, wrapped in some truly quixotic melodies. 2005's SUMMER STORM | a collection of ukulele ditties, on the other hand, was a wonderfully light composition which often belied the intensity of the lyrical content.

Daniel's most recent album, HEADING FOR COUNTRY, continues this tradition and marks another waypoint on what has become a musical odyssey spanning more than a decade.

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Previous quotes:

"... Perhaps politics might actually catch on if Gannaway were doing the singing [OP-ED], instead of John Ashcroft's barbershop quartet. It's a thought. But until the Republican or Democratic National Convention is converted into a Broadway musical, we'll have to make do with Daniel. And that's going to be just fine for fans of indie folk pop with a message." - Indie-Music

"...The great aspect of the album [SUMMER STORM] is that each song's arrangement maintains a minimalistic nature, which shows a discipline and a depth of understanding on Gannaway's part. Underneath the ukulele, the cruising drums and harmonic supporting bass grooves provide an all around easy and easily recommendable listen..." - NZ Musician Magazine

"...Down to earth and laid back, it has none of the musical tension of trying too hard or the injection of false emotions. Suburban folky and bohemian chic, it [darling one year] ties up agreeably layered and distorted vocals into an angst-ridden, quirky pop as catchy as The Strokes but easily as mysteriously engaging as James Keenan Maynard..." - Indie-Music

"...[Bound and Suburban] like walking alone on the beach at night and seeing Jim Morrison and Jeff Buckley strumming and singing at the water's edge..." - Indie-Music

"...Herein lies the essence of Bootlegged at the Temple: simply an audience, a musician, and a quiet venue... - no hype... In context with Daniel's previous two albums - FINE BY ME and flashback* - and subsequent release 'Bound and Suburban', 'Bootlegged' is a departure, which provides the listener a greater perspective on all of his work. Bootlegged is a great live album, which, over time, becomes as much a voyage of discovery and inspiration for the listener as for the musician himself." - Justin Walsh