The Midway State
Indie / Emo / Rock
Toronto, Canada
About
THE MIDWAY STATE
The Midway State comes at you from out of nowhere. The band's nakedly emotional, piano-driven songs bear no clear connection to any current sound or scene. Even within the confines of a four-song EP, you don't know where the emotional undertow is going to pull you next, just that eventually, the combination of youthful drama and mature melodies of these songs will tug you under.
Perhaps it helps that, geographically speaking, The Midway State pretty much is from out of nowhere. "It's a little ski town two hours north of Toronto," singer and songwriter Nathan Ferraro says of his hometown, Collingwood, where the 21 year-old oldest of eight children still splits his time between the family house and Toronto. "We live out in the country, so I had a lot of time to play around at home. We were never involved in a scene or anything from one of the cities, so I never knew what was cool or what was going on."
"From a very early age," Nathan took piano lessons, which he hated, so he switched to guitar and then back to the piano at 16. And while keeping up with schoolwork and playing sports like other kids, he found time to write songs. A lot of them.
"All through high school, I felt like 'you've got to write a song,' just to get that feeling like I'd done something good for the day. So I used to come home from high school and write a song every day. I have tapes and tapes and tapes and tapes; I probably have about 500 songs I've written since I was 14."
These songs are what ultimately distinguish the Midway State. "Met a Man on Top the Hill" is like pages torn from a fairy tale, with lyrics that switch perspective between a powerful figure and his object of manipulation, pushed along by Nathan's tumbling phrasings.
"It could be anything," Nathan explains of the manipulating force in the song, "like the Devil, or someone just pushing stuff on you. I really want to write on a human level that everyone can relate to and just be honest."
"Change for You" and "Nobody Understands" tread in more romantic territory, but similarly unfold in ways that are both familiar and unexpected; "A Million Fireflies" with its chunky guitar, has emerged as a crowd favorite.
Reaching the audience is a skill Nathan and drummer Daenen Bramberger, who's been in the band since its schoolboy origins, learned early on. "When we were 16 or 17, my dad bought us a van and we toured across Canada for the summer," Nathan says. "We played everywhere, from Cape Breton to all the way to Vancouver, just booking our own gigs. We would play in living rooms, in bars. We played with hardcore bands, emo-bands--we were always first of five bands at the all-ages show.
"When I look back at it now, I'm like, 'wait, when I was 16, I didn't get a job, I spent the summer driving around Canada playing at shitty little places?'" he laughs. "None of it has ever been more than I can handle, though; things like that have always just kinda made sense."
Now, The Midway State is poised to reach many more people than Nathan and Daenen could have imagined when they first started playing those songs pounded out after school on the family piano.
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