Next week I am headed to France to attend my first MidemNet conference. I'll be offering a "master class" called "Making the Most of Online Music Fandom" in which I will overview the social activities that motivate fans to engage one another, how the internet transformed those activities in ways that empower fandoms, why this terrifies people used to having all the control in the relationships between musicians and fans, and I'll suggest some key principles for forming symbiotic relationships with fans.

When I was first asked to do this, it inspired a long line of thought about who I would invite if I were going to put together my dream program to hear people talk about building relationships between musicians and fans.

I'd include people having great success with the patronage model of fan funding for recording costs like someone from Marillion or Jill Sobule.

I'd want some people from labels who have been genius about opening new avenues for artists and fans to interact, people like Terry McBride or Martin Th