Deep analog tones, oscillating and pulsating like black blood inside a gnome's juggular form the backbone of the pieces, above which deformed spoken word contributions, tortured animal screetchings or extremely sparsely dosed machinal noises reside. In stark contrast, there is always a texture of harmonics floating disembodied and like a dead angel's voice in a space of its own, rubbing against the darker textures and exacerbating the uneasy ambiance. For entire minutes, the atmospheres' loose ends are left hanging in the air like broken cables touching an infinite sea, throwing sparks in random patterns, before a sudden assault of delayed metal poundings comes crashing in, waking you from your fever dreams.??These rough transitions lend a certain live feeling to the music, which is noticeably absent from other compositions and which makes Vestigial stand out from the fold - his vision of Dark Ambient is certainly more futuristic and filled with weird and frightening beasts, instead of hallow pathways and empty landscapes. (Tobias Fischer/TOKAFI MAG.)
Vestigial on Cold Meat Industry Feb 27
"TRANSLUCENT COMMUNION"
More details soon to come!
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Thank you for friending me Vestigial. Fine work on the dark side. Nhilistic, angst ridden emptiness. A dark night in the Lenin Shipyard with an angle grinder and a crate of vodka. The best new work I have heard since my encounter with Nagual Art (also on virb). Similar in style to my Silence and The True Path works.
posted Feb 19
gjöll | product 8 says:
posted Mar 6