Xenia Flex

Electronica / Pop / Other

Budapest, Hungary

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About

If, and only if we consider fetish, fetishism, fetish objects or subjects as an end product of the sexualization of otherwise nonsexual, asexual or other sexual objects/subjects/peoples/manners of life/commodities etc, we might find that xenia flex's fetish can be found mainly in how we understand existance itself. U can see that in our lyrics, in our style, in the way we are. What do we speak about mostly? A romantic love. Now what on earth is sexual in romantic love in 2008? Literally nothing. It would bore the hell out of us. What is interesting about the idea of love as we know it today ( in its most heteronormative dramedy of them all: boy-meets-girl-they confess eternal love- OFFICIALLY (!) fairy tale)is that it is ungraspable, untouchable (elerhetetlen) and almost irreal, despite the numerous attempts to proove itself differently. Love thus becomes the closest object of desire, and for that, the most occurent topic of pop songs since the beginning of our time. If then we take it, the romantic love, as a topic of our imagery, and consider the ironic stance we like to imagine is a huge part of our performance, we might say we made a fetish object out of love! Note:
'...Kiss me now....