JuneJun 14 Thursday 07
the studio is still a long way from built, so i've been using these nice headphones (beyerdynamic DT 770) that actually represent the bottom octave very well. more so than those JBLs in the video, or
pieces in this mix were originally recorded at electrical audio by steve albini: kik, sn, fills. you're hearing a mix of close mics and stereo overheads chopped to short hits. another version i made h
the bank of 8 trigger pads (center of the movie) defaults to serving as individual record/stop record buttons for 8 tracks at a time in Live's automatic setup for this controller. i thought i'd try i
since the studio is still packed away, i've got the powerbooks all standing in as synthesizers. they are getting MIDI from the main machine via ethernet, so that I don't have to drag out the interface
... in which i use only pieces of sound from Beatles recordings.
this is kind of fun. the trigger pads on the axiom 25 are pressure-sensitive, and therefore can send continuous controller information. in this clip i used CamelSpace to impose a rhythmic pulse upon t
a piece i've been working on that might become a song someday. plays around between the keys of D minor in the verse and its relative major in the chorus. sort of gives a lift, as they say.